Man Booker Longlist 2017 announced
This year’s Man Booker Longlist has just been announced – one of the year’s most prestigious prizes, the Man Booker is awarded to the best original novel published in the English language and written by British, Irish, Commonwealth, American and Zimbabwean writers.
As ever, this year’s longlist is a diverse mix. Here at Eason, we have particularly high hopes for the two Irish authors longlisted including the Irish Book Award Eason Novel of the year award winner ‘Solar Bones’ by Mike McCormack, and also ‘Days Without End’ by Sebastian Barry, a glorious and lyrical novel set amongst the American Civil War.
The list will be narrowed down further when the shortlist is announced on 13 September, with the winner being announced on 17 October.
The Man Booker Prize Longlist 2017
Once a year, on All Souls’ Day, it is said in Ireland that the dead may return. ‘Solar Bones’ is the story of one such visit. Marcus Conway, a middle-aged engineer, turns up one afternoon at his kitchen table and considers the events that took him away and then brought him home again. Funny and strange, McCormack’s ambitious and other-worldly novel plays with form and defies convention. This profound work is by one of Ireland’s most important contemporary novelists. A beautiful and haunting elegy, this story of order and chaos, love and loss captures how minor decisions ripple into waves and test our integrity every day.
Having signed up for the US army in the 1850s, aged barely 17, Thomas McNulty and his brother-in-arms, John Cole, go on to fight in the Indian wars and, ultimately, the Civil War. Orphans of terrible hardships themselves, they find these days to be vivid and alive, despite the horrors they both see and are complicit in.
The Ministry of Utmost Happiness’ transports us across a subcontinent on a journey of many years. It takes us deep into the lives of its gloriously rendered characters, each of them in search of a place of safety – in search of meaning, and of love.
Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North. In Whitehead’s razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can.
From the award-winning author of If Nobody Speaks of Remarkable Things and Even the Dogs. Reservoir 13 tells the story of many lives haunted by one family’s loss. A GUARDIAN NOTABLE BOOK OF 2017
Two girls dream of being dancers – but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It’s a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either. Dazzlingly energetic and deeply human, ‘Swing Time’ is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them.
n a city swollen by refugees but still mostly at peace, or at least not yet openly at war, Saeed and Nadia share a cup of coffee, and their story begins. It will be a love story but also a story about war and a world in crisis, about how we live now and how we might live tomorrow. Before too long, the time will come for Nadia and Saeed to leave their homeland. When the streets are no longer useable and all options are exhausted, this young couple will join the great outpouring of those fleeing a collapsing city, hoping against hope, looking for their place in the world.
From this seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of realism, entering a thrilling, supernatural domain both hilarious and terrifying. Willie Lincoln finds himself trapped in a transitional realm – called, in Tibetan tradition, the bardo – and as ghosts mingle, squabble, gripe and commiserate, and stony tendrils creep towards the boy, a monumental struggle erupts over young Willie’s soul.
On March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths…
Linda has an idiosyncratic home life: her parents live in abandoned commune cabins in northern Minnesota and are hanging on to the last vestiges of a faded counter-culture world. While the accusation against the teacher is perhaps more innocent than it seemed at first, the ordinary family turns out to be more complicated. As Linda insinuates her way into the family’s orbit, she realises they are hiding something. If she tells the truth, she will lose the normal family life she is beginning to enjoy with them; and if she doesn’t, a life is at stake.
Isma is free. After years spent raising her twin siblings in the wake of their mother’s death, she is finally studying in America, resuming a dream long deferred. But she can’t stop worrying about Aneeka, her beautiful, headstrong sister back in London – or their brother, Parvaiz, who’s disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew. Then Eamonn enters the sisters’ lives. Handsome and privileged, he inhabits a London worlds away from theirs. As the son of a powerful British Muslim politician, Eamonn has his own birthright to live up to – or defy. Is he to be a chance at love?
Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour-hit of Pop Art – via a bit of very contemporary skulduggery and skull-diggery – ‘Autumn’ is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture, and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.
Daniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned sour and fearful. They lived apart in the house that Daddy built for them with his bare hands. They foraged and hunted. When they were younger, Daniel and Cathy had gone to school. But they were not like the other children then, and they were even less like them now. Sometimes Daddy disappeared, and would return with a rage in his eyes. But when he was at home he was at peace. He told them that the little copse in Elmet was theirs alone. But that wasn’t true. Local men, greedy and watchful, began to circle like vultures. All the while, the terrible violence in Daddy grew.